Within this evocative artwork lies a profound narrative that encapsulates the enduring struggle of a patient suffering from endometriosis, whose existence is characterized by persistent pain and weakness. Through her poignant portrayal, the artist conveys the individual's unwavering commitment to raising awareness and fostering understanding of this debilitating disease within her challenging societal context.The central figure, adorned in traditional Nigerian attire, serves as a poignant representation of the broader societal challenges faced by individuals grappling with endometriosis in Nigeria. The deep crimson hue of her garments symbolizes the profound suffering endured and perpetuated by the disease. With a hand firmly clasped to her abdomen, the locus of her anguish, she endeavours to scatter seeds into the wind. These seeds serve as potent symbols of her tireless efforts to sow awareness and enlightenment regarding her condition. Yet, the wind itself serves as a metaphor for the societal currents that buffet her efforts, for the prevailing ignorance and indifference that shroud endometriosis within her community.Indeed, statistics reveal a staggering reality: one in ten women are afflicted by endometriosis, yet awareness remains alarmingly scarce. In Nigeria, the dearth of specialized medical practitioners exacerbates the plight, with no more than two Endometriosis specialists navigating the complex terrain of this condition. Globally, the paucity of knowledge and the absence of a definitive cure cast a shadow over the lives of countless individuals.The tragic narrative continues with accounts of medical practitioners dismissing patients' symptoms as imaginary, prescribing ineffective treatments, and even subjecting sufferers to ridicule and mockery. Consequently, delayed diagnoses and preventable tragedies ensue, perpetuating a cycle of suffering and despair.Yet, amidst the darkness, a beacon of hope emerges. Through her resolute advocacy and unwavering determination, the protagonist endeavours to illuminate the shadows shrouding endometriosis. Her indomitable spirit serves as a rallying cry, compelling society to confront its collective ignorance and apathy. Thus, through her courageous crusade, she endeavours to sow the seeds of awareness and understanding, nurturing a brighter future for generations to come.

It is not noticeable from the image, but it has been painted on a canvas stretched on a repurposed and twisted frame, which I normally would re-stretch or discard; this is to symbolise the hidden ailment of chronic pain. Inspired by an actual scene in my life, there are many figurative elements. This is my shed/studio where I have lived and created for more than a decade to remove myself and the experience of my pain from my family, so they do not have to share and endure my suffering.I painted a winter scene because, like winter, overbearing chronic pain is a form of death, where most previous aspects of living that were a part of one’s personality and individuality are taken away; People suffering chronic pain essentially become the living dead. I painted a hint of this zombie image in the studio window.The path through the snow symbolises the difficulty of making one’s way through the impeding snow-covered landscape of a life with pain. In reference to the theme of “Shared Horizons” the painting has a partially obscured horizon, blocked by trees and branches, revealing that although we share a view of the same horizon, one’s perspective can make that threshold unclear and obstructed. The colours are almost monochromatic with shadows covering most of the landscape, showing the absence of variation, colour, and vitality in a life consumed with constant suffering; however there is a luminosity and occasional swath of bright yellow symbolizing hope on the horizon and reflected in the landscape. In order to survive and even be successful while living with pain one has to focus on the few positives, such as my personal ability to paint and create so that I have a therapeutic release, a purpose, and a contribution to society.

"Stressors and Saviours" is a symbolic portrayal of the intricate dance between anguish and solace, manifesting in a surrealistic image that mirrors the artist's inner turmoil and resilience. The canvas is a tapestry of contrasting elements. On the left, the stressors emerge, looming ominously like dark clouds on the horizon. A spectral image of financial burdens casts a shadow, its tendrils reaching out like gnarled roots, ensnaring the mind in worry. Nearby, a swarm of carpenter ants and earwigs scuttle in chaotic patterns, representing the relentless intrusion of anxieties real and imagined, their presence magnified by the fear of impending collapse. Flames lick at the edges, a visual manifestation of the ever-present dread of house fires, their flickering tongues threatening to consume all in their path. Amidst this turmoil, the artist's twin daughters are depicted by their vulnerable state as they struggle with Celiac and Crohn's diseases. The artist’s shoulders bleed: this is the source, coming through her nerves in the back: acute brachial neuritis. Contrasting this, the saviours emerge as beacons of hope. Things that bring the artist joy: animals, nature, children, reading, art-making. Offering solace. Lotus flowers represent the possibility of re-birth. Through "Stressors and Saviours," the artist invites viewers to embark on a journey of introspection, navigating the turbulent seas of adversity while clinging steadfastly to the life rafts of joy and resilience. It is a poignant reminder that amidst life's storms, there is always beauty to be found, and strength to be drawn from the depths of the human spirit.

This piece draws inspiration from Salvador Dali’s work The Elephants, where the march of time is depicted by long legged creatures, distorted and stretched by experience. In Long Horizons, the intertwined and elongated humans represent those with chronic pain, finding strength and resilience in community, beneath a cracked sunset.

The awareness to action gap: a catalyst for broken promises, a blurry future, and misty realities. Otherwise known as the evidence to practice gap, this picture embodies the essence of the overproduction of pain research and a lack of the utilization of the produced evidence to create tangible solutions. The blurred horizon embodies the feeling of uncertainty in the future and uncertainty on whether or not hope is possible. The picture is taken on a Fujifilm F10 (a vintage digital camera) to simulate the fact that we are still using old pain solutions to treat new pain realities. And with that, we ignore the nuance, the diversity, and individuality in each person’s pain stories. Similar to how this photo’s graininess leads to the viewer to miss out on the intricate details of the water, beach, or horizon. The man looking at the horizon, slightly off center, is meant to embody the patients’ feeling of not having their voices uplifted and centered in our research. Without taking heed of their concerns of the lack of pain research translation, they are left gazing into blurry futures. Thus this photo highlights the importance of ensuring we are not just raising awareness, but putting our words into action to mitigate blurry pain futures.

Healing hurt begins with comfort and conversation, much like sharing in a cup of tea. As easily as we can share a cup of tea, we can share knowledge to impact the lives of children living with pain and their families. Each piece of this tea set embodies the knowledge and strength of those around the table. The teapot represents knowledge holders - with waves symbolizing the knowledge that sustains and rejuvenates diverse life forms, and the spouted vessel reflecting the flow of water to those in need. The cups represent families, designed with sprouts to symbolize different ages and stages of life. Despite this difference, both continue to benefit from the nourishment provided by water. Pediatric pain can take a physical and mental toll on families, as represented by the cracks in one of the cups. These cracks, however, have been repaired with the knowledge and support of those around the table. The repair not only allows for resumed function; it also adds an element of fortitude and growth - the epitome of resilience. The pieces on their own are not functional – the teapot with nowhere to pour tea and the cups with nothing to fill them. These pieces are best when together, just as clinicians, researchers, and families are most effective when they work together to generate and share knowledge about pain. We are most effective when we sit together – over a cup of tea.

My piece aims to visually portray multiple facets of the modern society for people living with chronic pain, who make up about 1/5th of the Canadian population. While chronic pain, and its resulting functional, social, and psychological burdens, weigh heavily on every aspect, every second, of their daily lives, it is often difficult to discern, when strolling in the city, those suffering from it. This is amplified by the isolation and facade many adopt to avoid judgement for being "dramatic" or "drug-seeking". The red hues represent the people living various chronic pain conditions, hidden within the crowd. This piece makes an attempt to represent certain groups, such as women, veterans, and elderly people, that are disproportionately affected by chronic pain conditions. Only with collective, multifaceted progress in areas such as education. stigma. healthcare, and research can our society hope to improve their quality of life and walk toward a brighter horizon.

Hi, I'm Nashmil, and I have a story shrouded in darkness. Once, I thrived as a successful graphic designer, with a multitude of advertising clients and orders. I reveled in the art of playing with colors, shapes, typography, and layout... until an unforeseen tempest struck. In an instant, my radiant world was engulfed in darkness, plagued by double vision and relentless dizziness. The vibrant hues I once cherished had faded away. A diagnosis followed, revealing a rare autoimmune disease affecting my eyelid, casting a shadow over my entire existence. The only thing I could hold onto was my smile... I hoped it was fleeting. Even the longest night will end, and the sun will rise. So I smile.

Learning About PainThis work shows unique and approachable neuron characters both experiencing and investigating pain pathways. This is the cover art for a book that we created to explain Touch & Pain to children and the general public. The illustrations in the book (not yet submitted), are also created specifically to share knowledge of touch, pain and pain relief.

Identity intrigues me. I choose to explore ideas of identity and self-perception. Together they represent the interconnectedness of culture, heritage and person; together, they form a complex tapestry of life experiences - my life experiences - one of which is living with chronic pain.The subject I am most familiar with is me.This self-portrait embodies all this while paying homage to the ’still life’ - a genre that inspires and propels my work.

This painting is painted in oils on a linen canvas. It depicts a silhouette of a woman hunched over with her hand on her face in agony of the burning pain she is feeling represented by the flames coming off of her.

Sometimes I wonder what would’ve happened that night, if I called for you and you didn’t answer.If sleep had kept you under its weight and my voice didn’t slip through the cracks.If the tears that cascaded down my face didn’t worry you, if my words didn’t frighten you.I wonder what I would’ve done.But I also wonder what it was like for you.For you to hear my voice slip through the cracks, breaking with every word.For you to see my tears as they poured down my cheeks.I wonder how scared you felt.What I never wonder though, is why, when I sit in silence, I hear your voice.When I speak into nothingness, with no response, your voice echoes around my head.I never wonder, I never will, even when I thought I lost everything; I never lost you.